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“... In the issue of Agenda for Spring 1983 there is an essay by Geoffrey Hill which will obviously become required reading for anyone who is seriously interested in his poetry. ‘Our word is our bond’ is in many ways an apologia for Hill’s view of poetry and, more particularly, for his sense of himself as poet. It is as dense and allusive as much of his poetry, and so closely argued that it’s almost impossible to tease out individual threads without running the risk of damaging the entire fabric ...”

“... With the appearance of Sherston’s Progress in 1936, Siegfried Sassoon completed what Howard Spring, writing in the Evening Standard, called ‘the most satisfying piece of autobiography to be published in our time’. Other reviewers and commentators, then and later, seem to have agreed with Spring’s assessment. Not Hugh MacDiarmid, however. In a poem which contrasts those who went to fight in 1914 with the International Brigaders, MacDiarmid writes: Despite the undeniable honesty, the little literary gift, What is Sherston’s Progress but an exposure Of the eternal Englishman Incapable of rising above himself, And traditional values winning out Over an attempted independence of mind ...”

“... great credit to the publishers. This particular essay has provoked in another attentive reader, John Lucas (LRB, Vol. 5, No 20), the reflection that ‘language cannot be innocent.’ But surely it needs to be remarked that whereas indeed the British English that Hill and Lucas share cannot be in this sense ...”

“... Edward Marsh stubbornly published best-selling poetry collections, featuring Walter de la Mare, John Drinkwater, Harold Monro, Rupert Brooke, Wilfrid Blunt, nervously commemorating a threatened pastoral. Other writers, more diffident or isolated, threw in their lot with entropy: Charlotte Mew’s poetry of the early Twenties is littered with speakers on the ...”

“... retaining it and FIFA be damned – what is this about ‘Englishness’? It is this question that John Lucas sets himself to answer, in considering the poetry of two centuries. He has one immediate cultural handicap: he cannot refrain from sniping at his own side (the English), as if to provide credentials of fairness. But what he says often seems more ...”

“... status, briefly elevated as the great modern poet that independent witnesses like Yvor Winters and John Crowe Ransom had always considered him, and in many quarters is now being just as promptly and precipitately returned to the Victorian cobwebs. What has done most damage – and understandably, since it’s the verdict of a friend over many years, with no ...”

“... is obviously having an affair with me’) is definitely about the real stuff as opposed to the John Travolta variety, and works because it’s wry and faithful to its subject, without straining after the big effects that phrases like ‘the geography of my thighs’ or ‘cosmic spite’ announce are as yet unavailable to her. With lines like The smell of ...”

“... Laudanum, Kenelme Sexnoth Pope, H.N. (Helga Nevvadotoomuch, c/o Lord Godmanchester (Gumster), The John Peelcroft Hadmanchester Podgoets, Night Slide Clubb, P.O. Box 1AA, BBC-wise, W.1, and others. The translations were just as elastic as these cartoon-rubber composites. In the Robert Lowell version actually used by the Sunday Times, ‘Spleen’ opens: I’m ...”

“... George Lucas is the most money-successful film-maker there has ever been. Of the eight films he has directed or produced (he eludes the conventional Hollywood division of labour), Star Wars and The empire strikes back have sold getting on for $900m worth of tickets. C-3PO and R2-D2 are as well known as Pope John Paul or Mickey Mouse ...”

“... stick.But​ Penney was answerable to the American in charge of the Anzio operation, Major General John Lucas, who answered to the American Lieutenant General Mark Clark (whose troops nicknamed him Marcus Aurelius Clarkus for the Roman imperial hauteur of his manner), who answered to the British General Sir Harold Alexander, who answered to Winston ...”

“... twenty years to write the book that will be a standard work for the next fifty. As my colleague John Lucas of Merton College has put it, ‘instead of writing books, I shall write articles; instead of writing articles, I shall write CVs.’ If you are a student contemplating an academic career, you do not have to be outstandingly perceptive to see that ...”

“... scattered collections – made by Marion Scott, the Gurney family, Ivor’s Gloucester friend John Haines, Vaughan Williams and others – into a central archive. The process continued after Finzi’s death in 1956. Neither Gurney nor Scott had bothered much about dates and the habit of confusion grew by amalgamation. Blunden, returning manuscripts ...”

“... American realism, once a belief, is now an idle liberty. Writers such as Robert Stone, Joan Didion, John Irving and even Don DeLillo, are praised for their ‘realism’, for the solidity of their plots, the patience of their characterisation, the capillary spread of their social portraits, the leverage of their political insight ...”

“... even before we get to know them, by their names. In The Green Knight we have to contend with Lucas and Clement Graffe, Harvey Blacket, Bellamy James and his dog Anax, the Anderson women – Louise and her daughters Alethea (Aleph), Sophia (Sefton) and Moira (Moy) – Emil and Clive and the Adwardens. A reader alert to social differences will find such ...”

“... to speak directly of the times we live in. ‘The Watering Place’ after Peter Paul Rubens by John Browne (1770) There is, however, nothing irrelevant about the new show at the Royal Academy, featuring Gainsborough, Constable and Turner; not because of anything it has to say about ‘the making of landscape’, but because it is so evidently a show for ...”